Wintery Knight

…integrating Christian faith and knowledge in the public square

Andrew Klavan signed to write the script for the Gosnell movie

They got an experienced screenwriter – Life News reports.

Excerpt:

The producers of the Gosnell movie raised the $2.1 million they needed to make the Hollywood-style film that will tell the story of the gruesome abortion practitioner. Now, they’ve hired a screenwriter to produce the script to tell the story.

“We have some great news that we are excited to share with you,” the producers Ann McElhinney and Phelim McAleer told LifeNews today in an email. “We’ve just signed up the best-selling author and screenwriter Andrew Klavan to write the script for the Gosnell Movie.”

Klavan, whose books have been made into movies directed and starring Clint Eastwood and Michael Douglas, said he had wanted to write the Gosnell screenplay “from the moment I heard it was underway.” He said the Gosnell project was “a great story” but also an important tale to tell.

Klavan said: “This is so much more than a job of work for me. As I’ve begun to get into the research materials, it’s started to come home to me that we’ve all taken on a huge responsibility. The women who were brutalized by this Gosnell monster — they can tell their stories.  But all his victims, all those babies — we’ve got to figure out a way to speak for them somehow.”

[...]In a lengthy writing career Klavan has been nominated for the Mystery Writers of America’s Edgar Award five times and has won twice. He has recently published a bestselling series of thriller novels for young adults, The Homelanders, and his YA novel If We Survive was nominated for an International Thriller Writers Award. His latest novel for adults, Werewolf Cop, is due out next spring.

His essays and op-eds on politics, religion, movies and literature have appeared in theWall Street Journal, The New York Times, The Washington Post, The LA Times, and elsewhere. His 2008 WSJ op-ed “What Bush and Batman Have in Common,” topped the Technorati list as the most-read online piece of the day. He has also produced several popular political satire video series, including “Klavan on the Culture,” for PJTV.com, “A Very Serious Commentary,” for Glenn Beck’s TheBlaze.com and his current series “The Revolting Truth,” for TruthRevolt.org.

I’ve featured some of Andrew Klavan’s videos on this blog before, so I already know who he is. If you don’t know who he is, then trust me when I say this is a home run for the movie. They chose well!

Filed under: News, , , ,

Friday night movie: Midway (1976)

Here’s tonight’s movie:

Description:

The Battle of Midway, fought over and near the tiny U.S. mid-Pacific base at Midway atoll, represents the strategic high water mark of Japan’s Pacific Ocean war. Prior to this action, Japan possessed general naval superiority over the United States and could usually choose where and when to attack. After Midway, the two opposing fleets were essentially equals, and the United States soon took the offensive.

Japanese Combined Fleet commander Admiral Isoroku Yamamoto moved on Midway in an effort to draw out and destroy the U.S. Pacific Fleet’s aircraft carrier striking forces, which had embarassed the Japanese Navy in the mid-April Doolittle Raid on Japan’s home islands and at the Battle of Coral Sea in early May. He planned to quickly knock down Midway’s defenses, follow up with an invasion of the atoll’s two small islands and establish a Japanese air base there. He expected the U.S. carriers to come out and fight, but to arrive too late to save Midway and in insufficient strength to avoid defeat by his own well-tested carrier air power.

Yamamoto’s intended surprise was thwarted by superior American communications intelligence, which deduced his scheme well before battle was joined. This allowed Admiral Chester W. Nimitz, the U.S. Pacific Fleet commander, to establish an ambush by having his carriers ready and waiting for the Japanese. On 4 June 1942, in the second of the Pacific War’s great carrier battles, the trap was sprung. The perserverance, sacrifice and skill of U.S. Navy aviators, plus a great deal of good luck on the American side, cost Japan four irreplaceable fleet carriers, while only one of the three U.S. carriers present was lost.

IMDB rating: [6.7/10]

Battle map:

Battle of Midway Map

Battle of Midway Map (click for larger image)

Image found here:

http://www.warfaremagazine.co.uk/articles/The-Battle-of-Midway/41

Happy Friday!

Filed under: Videos, , , , ,

Friday night movie: Decision Before Dawn (1951)

For Friday night, I thought I’d re-post a movie I like a lot.

IMDB rating: [7.5/10]

Description:

WWII is entering its last phase: Germany is in ruins, but does not yield. The US army lacks crucial knowledge about the German units operating on the opposite side of the Rhine, and decides to send two German prisoners to gather information. The scheme is risky: the Gestapo retains a terribly efficient network to identify and capture spies and deserters. Moreover, it is not clear that “Tiger”, who does not mind any dirty work as long as the price is right, and war-weary “Happy”, who might be easily betrayed by his feelings, are dependable agents. After Tiger and another American agent are successfully infiltrated, Happy is parachuted in Bavaria. His duty: find out the whereabouts of a powerful German armored unit moving towards the western front.

Happy Friday!

Filed under: Videos, , , , , , , , , , ,

Matt Walsh urges everyone to avoid the “Noah” movie

This movie review on Matt Walsh’s blog should save you some money.

He writes:

On Friday, my wife and I had a very rare date night.

Naturally, we decided to spend it being pummeled by the blaring condescension of the most insipid, absurd, unimaginative, clumsily contrived piece of anti-Christian filmmaking to come along since, well, probably just last week.

[...]Noah is a major Hollywood blockbuster, made by an atheist director best known for his previous flick where a mentally disturbed lesbian ballerina goes insane and bleeds to death on stage. Already, a critical person might be slightly concerned about his handling of the Bible, considering what he just did to the ballet.

These concerns grew from suspicion to reality before it was even released, when the man himself came out publicly and professed Noah to be both an environmentalist propaganda piece, and the “least Biblical” Bible film ever made.

He wasn’t lying.

But he forgot to mention that it’s also a terrible film.

Matt continues the review by through the movie and explaining the worldview they are trying to push in it. You have to read the whole post if you want the details, but the summary is that this movie has nothing at all to do with the Biblical story of Noah. It’s something that could have been made by animal rights activists and global warming alarmists.

Here is the conclusion:

I’ve heard the movie compared to Titanic and Gladiator. Personally, I’d say it’s more of a cross between Mutiny on the Bounty and The Shining. Only far less coherent than any of them.

I’ve also heard some “Christian leaders” endorse this steaming pile of heretical horse manure. I’m tempted to accuse them of being cowardly, dumb, or dishonest, but I’ll just give them the benefit of the doubt and assume they slept through the most troubling parts — like the part at the beginning, and the end, and all of the parts in between.

It’s true that it might be a bit difficult to discern the “message” in a film so filled with explosions (the Bad Guys have bazookas, naturally), monsters, and infanticide, but any supposed Christian “leader” ought to try a little harder. Pay a little closer attention. If you do, you’ll see a tale that entirely perverts the nature of God, while flipping sin and immorality on its head.

Aside from a brief glimpse of something that appeared to be either rape or cannibalism, wickedness is portrayed as mostly a matter of eating meat and mining the earth for resources. Noah — a righteous man in the Bible — is stripped of his righteousness in favor of obsessiveness. God is stripped of any characteristics at all, apart from vindictiveness.

It’s not that ‘Noah’ strays from the text — of course it does, the actual text is only a few pages long — it’s that the movie completely and utterly distorts the message and meaning of the original story.

If you are thinking about watching this movie, I urge you to reconsider. That money would be better spent on something else. Really, anything else would be better. It’s a fine movie for people who like to see Bible stories butchered by atheists who are pushing an Earth-First environut agenda, but it’s not a good movie for believing Jews and Christians. When an atheist director claims to have made “the least Biblical film ever made“, you should believe him.

This is an issue of stewardship – why would you give your money to someone who hates your worldview, when there is no possible purpose for it other than entertainment? Be a good steward of your money and don’t hand it to people who are tearing up your religion. There are plenty of better things to do with it than hand it to people who are opposed to the God of the Bible. You don’t have to watch a movie just because it’s new and a lot of money was spent making it.

Filed under: Commentary, , , , , ,

Should you go see Darren Aronofsky’s movie “Noah”?

Here’s a review of the draft screenplay from Christian screenwriter Brian Godawa.

Excerpt:

As a screenwriter of films like To End All Wars and Alleged which deal with faith, and as the author of a novel called Noah Primeval about what led up to the Great Flood, I am especially conscious of issues relating to the intersection of Hollywood and the Bible and I’ve been keeping tabs on a film that lives at that intersection, a film called Noah, written by Darren Aronofsky and Ari Handel. I’ve also watched with great anticipation as a post-Passion of The Christ Hollywood tries to come to grips with how to reach the massive faith-friendly audience and I’m concerned about the phenomenon that I see, which is films being developed for that audience by people who don’t understand it and are thus destined to fail. Then when they do fail, as expected, smug Hollywood executives declare “See, that audience doesn’t really exist.” I don’t want that to keep happening. I want films to be properly developed so that they can succeed. It is in that spirit that I offer my analysis of Aronofsky and Handel’s Noah script. I believe that it’s never too late to right a ship that is heading in the wrong direction.

Having got a chance to read an undated version of the script for Noah I want to warn you. If you were expecting a Biblically faithful retelling of the story of the greatest mariner in history and a tale of redemption and obedience to God you’ll be sorely disappointed. Noah paints the primeval world of Genesis 6 as scorched arid desert, dry cracked earth, and a gray gloomy sky that gives no rain – and all this, caused by man’s “disrespect” for the environment. In short, an anachronistic doomsday scenario of ancient global warming.

And here’s an article by Jewish conservative Ben Shapiro on CNS News.

Excerpt:

Meanwhile, Hollywood prepared to drop a new blockbuster based on the biblical story of Noah. The film, directed by Darren Aronofsky, centers on the story of the biblical character who built an ark after God warned him that humanity would be destroyed thanks to its sexual immorality and violent transgressions. The Hollywood version of the story, however, has God punishing humanity not for actual sin, but for overpopulation and global warming — an odd set of sins, given God’s express commandments in Genesis 1:28 to “be fruitful, multiply, fill the earth, and subdue it.”

[...]In a world in which consumerism is the greatest of all sins, America is the greatest of all sinners, which, of course, is the point of the anti-consumerist critique from the left: to target America. Global warming represents the latest apocalyptic consequence threatened by the leftist gods for the great iniquity of buying things, developing products, and competing in the global marketplace. And America must be called to heel by the great preachers in Washington, D.C., and Hollywood.

It’s very rare for me to recommend that people go see a movie made by Hollywood leftists, and I give this movie the same treatment. Do not spend your money on this movie. Do not give your money to the people who made this movie.

Filed under: Commentary, , , , , ,

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